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supported by 13 fans who also own “Come On Baby, Dig!”
probably the most hardest instrumental album i have ever heard in my 25 years of existence
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Jaunty garage rock from noisey London-based four piece that stomps ground laid out by The Fall et al.
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Cermony's Ross John Farrar experiments with synths, bass, & percussion to make music similar to that from the '80s homemade tape scene.
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A fascinating mash-up of jazz sensibility with Krautrock motorik on an album that mesmerizes with repetition.
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supported by 12 fans who also own “Come On Baby, Dig!”
Like so many others, this came like a bolt out of the blue and, even though it's well before payday, I had to have this astonishing album on vinyl to prove it exists. The feel of the tunes makes me feel like the Impressions do, Curtis Mayfield, the big spaces and instinctive horns and stuff drifting in and out. Great grooves and I can see lots of ghosts nodding along to this with big smiles on their faces. At last!
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